opening reception
Events
Combining bold, simple shapes with organic textures, Figueira pushes the abstraction of the subject while maintaining a sense of scene that is both familiar and challenging to the viewer, conveying […]
to Sept 27th. In The Impossibility of Beauty, Mindy Hemstalk gathers driftwood, broken ceramic fragments, and unaltered natural materials from the traditional, unceded, and ancestral territories of the shíshálh Nation, […]
Combining bold, simple shapes with organic textures, Figueira pushes the abstraction of the subject while maintaining a sense of scene that is both familiar and challenging to the viewer, conveying […]
to Sept 27th. In The Impossibility of Beauty, Mindy Hemstalk gathers driftwood, broken ceramic fragments, and unaltered natural materials from the traditional, unceded, and ancestral territories of the shíshálh Nation, […]
Combining bold, simple shapes with organic textures, Figueira pushes the abstraction of the subject while maintaining a sense of scene that is both familiar and challenging to the viewer, conveying […]
to Sept 27th. In The Impossibility of Beauty, Mindy Hemstalk gathers driftwood, broken ceramic fragments, and unaltered natural materials from the traditional, unceded, and ancestral territories of the shíshálh Nation, […]
Combining bold, simple shapes with organic textures, Figueira pushes the abstraction of the subject while maintaining a sense of scene that is both familiar and challenging to the viewer, conveying […]
to Sept 27th. In The Impossibility of Beauty, Mindy Hemstalk gathers driftwood, broken ceramic fragments, and unaltered natural materials from the traditional, unceded, and ancestral territories of the shíshálh Nation, […]
to Sept 27th. In The Impossibility of Beauty, Mindy Hemstalk gathers driftwood, broken ceramic fragments, and unaltered natural materials from the traditional, unceded, and ancestral territories of the shíshálh Nation, […]
to Sept 27th. In The Impossibility of Beauty, Mindy Hemstalk gathers driftwood, broken ceramic fragments, and unaltered natural materials from the traditional, unceded, and ancestral territories of the shíshálh Nation, […]
to Sept 27th. In The Impossibility of Beauty, Mindy Hemstalk gathers driftwood, broken ceramic fragments, and unaltered natural materials from the traditional, unceded, and ancestral territories of the shíshálh Nation, […]
to Sept 27th. In The Impossibility of Beauty, Mindy Hemstalk gathers driftwood, broken ceramic fragments, and unaltered natural materials from the traditional, unceded, and ancestral territories of the shíshálh Nation, […]
to Sept 27th. In The Impossibility of Beauty, Mindy Hemstalk gathers driftwood, broken ceramic fragments, and unaltered natural materials from the traditional, unceded, and ancestral territories of the shíshálh Nation, […]
to Sept 27th. In The Impossibility of Beauty, Mindy Hemstalk gathers driftwood, broken ceramic fragments, and unaltered natural materials from the traditional, unceded, and ancestral territories of the shíshálh Nation, […]