mixed media
Events
Exploring what we make by hand, what we build through technology, and what we leave behind, Solène Chatain’s ceramic sculptures reflect on the complex relationships between human ingenuity, industry, technology, […]
In The Impossibility of Beauty, Mindy Hemstalk gathers driftwood, broken ceramic fragments, and unaltered natural materials from the traditional, unceded, and ancestral territories of the shíshálh Nation, assembling them into […]
Exploring what we make by hand, what we build through technology, and what we leave behind, Solène Chatain’s ceramic sculptures reflect on the complex relationships between human ingenuity, industry, technology, […]
In The Impossibility of Beauty, Mindy Hemstalk gathers driftwood, broken ceramic fragments, and unaltered natural materials from the traditional, unceded, and ancestral territories of the shíshálh Nation, assembling them into […]
Exploring what we make by hand, what we build through technology, and what we leave behind, Solène Chatain’s ceramic sculptures reflect on the complex relationships between human ingenuity, industry, technology, […]
In The Impossibility of Beauty, Mindy Hemstalk gathers driftwood, broken ceramic fragments, and unaltered natural materials from the traditional, unceded, and ancestral territories of the shíshálh Nation, assembling them into […]
Exploring what we make by hand, what we build through technology, and what we leave behind, Solène Chatain’s ceramic sculptures reflect on the complex relationships between human ingenuity, industry, technology, […]
In The Impossibility of Beauty, Mindy Hemstalk gathers driftwood, broken ceramic fragments, and unaltered natural materials from the traditional, unceded, and ancestral territories of the shíshálh Nation, assembling them into […]
Exploring what we make by hand, what we build through technology, and what we leave behind, Solène Chatain’s ceramic sculptures reflect on the complex relationships between human ingenuity, industry, technology, […]
In The Impossibility of Beauty, Mindy Hemstalk gathers driftwood, broken ceramic fragments, and unaltered natural materials from the traditional, unceded, and ancestral territories of the shíshálh Nation, assembling them into […]
Exploring what we make by hand, what we build through technology, and what we leave behind, Solène Chatain’s ceramic sculptures reflect on the complex relationships between human ingenuity, industry, technology, […]
In The Impossibility of Beauty, Mindy Hemstalk gathers driftwood, broken ceramic fragments, and unaltered natural materials from the traditional, unceded, and ancestral territories of the shíshálh Nation, assembling them into […]
Exploring what we make by hand, what we build through technology, and what we leave behind, Solène Chatain’s ceramic sculptures reflect on the complex relationships between human ingenuity, industry, technology, […]
In The Impossibility of Beauty, Mindy Hemstalk gathers driftwood, broken ceramic fragments, and unaltered natural materials from the traditional, unceded, and ancestral territories of the shíshálh Nation, assembling them into […]
Exploring what we make by hand, what we build through technology, and what we leave behind, Solène Chatain’s ceramic sculptures reflect on the complex relationships between human ingenuity, industry, technology, […]
In The Impossibility of Beauty, Mindy Hemstalk gathers driftwood, broken ceramic fragments, and unaltered natural materials from the traditional, unceded, and ancestral territories of the shíshálh Nation, assembling them into […]
Exploring what we make by hand, what we build through technology, and what we leave behind, Solène Chatain’s ceramic sculptures reflect on the complex relationships between human ingenuity, industry, technology, […]
In The Impossibility of Beauty, Mindy Hemstalk gathers driftwood, broken ceramic fragments, and unaltered natural materials from the traditional, unceded, and ancestral territories of the shíshálh Nation, assembling them into […]
Exploring what we make by hand, what we build through technology, and what we leave behind, Solène Chatain’s ceramic sculptures reflect on the complex relationships between human ingenuity, industry, technology, […]
In The Impossibility of Beauty, Mindy Hemstalk gathers driftwood, broken ceramic fragments, and unaltered natural materials from the traditional, unceded, and ancestral territories of the shíshálh Nation, assembling them into […]
Exploring what we make by hand, what we build through technology, and what we leave behind, Solène Chatain’s ceramic sculptures reflect on the complex relationships between human ingenuity, industry, technology, […]
In The Impossibility of Beauty, Mindy Hemstalk gathers driftwood, broken ceramic fragments, and unaltered natural materials from the traditional, unceded, and ancestral territories of the shíshálh Nation, assembling them into […]
Exploring what we make by hand, what we build through technology, and what we leave behind, Solène Chatain’s ceramic sculptures reflect on the complex relationships between human ingenuity, industry, technology, […]
In The Impossibility of Beauty, Mindy Hemstalk gathers driftwood, broken ceramic fragments, and unaltered natural materials from the traditional, unceded, and ancestral territories of the shíshálh Nation, assembling them into […]