Gabriela Hirt is a self taught expressionist mixed media artist based in Victoria B.C. and raised in post-war Germany in the wake of the Holocaust.
In this exhibition in the Main Gallery Hirt explores through abstract painting and sculpture the human body as a vessel holding trauma, our collective history and cultural programming, and our ability to overcome discriminative thinking. She aims to understand the legacy of colonialism in her adopted home in Canada.
Stylized figures interact with each other in scenes of harmony and imbalance and simplified forms and bold marks and colours invite the exploration of inner emotional states and questions of social justice.
Gabriela Hirt is a self taught expressionist mixed media artist based in Victoria B.C. and raised in post-war Germany in the wake of the Holocaust.
In this exhibition in the Main Gallery Hirt explores through abstract painting and sculpture the human body as a vessel holding trauma, our collective history and cultural programming, and our ability to overcome discriminative thinking. She aims to understand the legacy of colonialism in her adopted home in Canada.
Stylized figures interact with each other in scenes of harmony and imbalance and simplified forms and bold marks and colours invite the exploration of inner emotional states and questions of social justice.
Gabriela Hirt is a self taught expressionist mixed media artist based in Victoria B.C. and raised in post-war Germany in the wake of the Holocaust.
In this exhibition in the Main Gallery Hirt explores through abstract painting and sculpture the human body as a vessel holding trauma, our collective history and cultural programming, and our ability to overcome discriminative thinking. She aims to understand the legacy of colonialism in her adopted home in Canada.
Stylized figures interact with each other in scenes of harmony and imbalance and simplified forms and bold marks and colours invite the exploration of inner emotional states and questions of social justice.
Gabriela Hirt is a self taught expressionist mixed media artist based in Victoria B.C. and raised in post-war Germany in the wake of the Holocaust.
In this exhibition in the Main Gallery Hirt explores through abstract painting and sculpture the human body as a vessel holding trauma, our collective history and cultural programming, and our ability to overcome discriminative thinking. She aims to understand the legacy of colonialism in her adopted home in Canada.
Stylized figures interact with each other in scenes of harmony and imbalance and simplified forms and bold marks and colours invite the exploration of inner emotional states and questions of social justice.
Gabriela Hirt is a self taught expressionist mixed media artist based in Victoria B.C. and raised in post-war Germany in the wake of the Holocaust.
In this exhibition in the Main Gallery Hirt explores through abstract painting and sculpture the human body as a vessel holding trauma, our collective history and cultural programming, and our ability to overcome discriminative thinking. She aims to understand the legacy of colonialism in her adopted home in Canada.
Stylized figures interact with each other in scenes of harmony and imbalance and simplified forms and bold marks and colours invite the exploration of inner emotional states and questions of social justice.
Gabriela Hirt is a self taught expressionist mixed media artist based in Victoria B.C. and raised in post-war Germany in the wake of the Holocaust.
In this exhibition in the Main Gallery Hirt explores through abstract painting and sculpture the human body as a vessel holding trauma, our collective history and cultural programming, and our ability to overcome discriminative thinking. She aims to understand the legacy of colonialism in her adopted home in Canada.
Stylized figures interact with each other in scenes of harmony and imbalance and simplified forms and bold marks and colours invite the exploration of inner emotional states and questions of social justice.
Gabriela Hirt is a self taught expressionist mixed media artist based in Victoria B.C. and raised in post-war Germany in the wake of the Holocaust.
In this exhibition in the Main Gallery Hirt explores through abstract painting and sculpture the human body as a vessel holding trauma, our collective history and cultural programming, and our ability to overcome discriminative thinking. She aims to understand the legacy of colonialism in her adopted home in Canada.
Stylized figures interact with each other in scenes of harmony and imbalance and simplified forms and bold marks and colours invite the exploration of inner emotional states and questions of social justice.
Gabriela Hirt is a self taught expressionist mixed media artist based in Victoria B.C. and raised in post-war Germany in the wake of the Holocaust.
In this exhibition in the Main Gallery Hirt explores through abstract painting and sculpture the human body as a vessel holding trauma, our collective history and cultural programming, and our ability to overcome discriminative thinking. She aims to understand the legacy of colonialism in her adopted home in Canada.
Stylized figures interact with each other in scenes of harmony and imbalance and simplified forms and bold marks and colours invite the exploration of inner emotional states and questions of social justice.
Gabriela Hirt is a self taught expressionist mixed media artist based in Victoria B.C. and raised in post-war Germany in the wake of the Holocaust.
In this exhibition in the Main Gallery Hirt explores through abstract painting and sculpture the human body as a vessel holding trauma, our collective history and cultural programming, and our ability to overcome discriminative thinking. She aims to understand the legacy of colonialism in her adopted home in Canada.
Stylized figures interact with each other in scenes of harmony and imbalance and simplified forms and bold marks and colours invite the exploration of inner emotional states and questions of social justice.
Gabriela Hirt is a self taught expressionist mixed media artist based in Victoria B.C. and raised in post-war Germany in the wake of the Holocaust.
In this exhibition in the Main Gallery Hirt explores through abstract painting and sculpture the human body as a vessel holding trauma, our collective history and cultural programming, and our ability to overcome discriminative thinking. She aims to understand the legacy of colonialism in her adopted home in Canada.
Stylized figures interact with each other in scenes of harmony and imbalance and simplified forms and bold marks and colours invite the exploration of inner emotional states and questions of social justice.
to Aug 31. A beautiful series of wood cut pieces and illustrated images. @jamiesmithstudio Explores the artists relationship with her body, the vases represent the life-giving potential of the female body—but sadly its’ potential is not always realized, and so some are shown full and some empty. Many of the vases are drawn from antique Pomegranate Fertility Vases from the Chinese Qing Dynasty.
to Aug 31. A beautiful series of wood cut pieces and illustrated images. @jamiesmithstudio Explores the artists relationship with her body, the vases represent the life-giving potential of the female body—but sadly its’ potential is not always realized, and so some are shown full and some empty. Many of the vases are drawn from antique Pomegranate Fertility Vases from the Chinese Qing Dynasty.
to Aug 31. A beautiful series of wood cut pieces and illustrated images. @jamiesmithstudio Explores the artists relationship with her body, the vases represent the life-giving potential of the female body—but sadly its’ potential is not always realized, and so some are shown full and some empty. Many of the vases are drawn from antique Pomegranate Fertility Vases from the Chinese Qing Dynasty.
to Aug 31. A beautiful series of wood cut pieces and illustrated images. @jamiesmithstudio Explores the artists relationship with her body, the vases represent the life-giving potential of the female body—but sadly its’ potential is not always realized, and so some are shown full and some empty. Many of the vases are drawn from antique Pomegranate Fertility Vases from the Chinese Qing Dynasty.
to Aug 31. A beautiful series of wood cut pieces and illustrated images. @jamiesmithstudio Explores the artists relationship with her body, the vases represent the life-giving potential of the female body—but sadly its’ potential is not always realized, and so some are shown full and some empty. Many of the vases are drawn from antique Pomegranate Fertility Vases from the Chinese Qing Dynasty.
