Curious about how to use cold wax medium with oil paint? Join us on Tues. Oct. 6th, 10AM – 4PM, with exhibiting artist Kathy McKnight! There is a limit of 12 participants, so register now to save your seat!
Kathy’s style is abstract impressionism using oil mixed with cold wax medium for the unique effects it creates. She develops her paintings intuitively, with multiple layers utilizing the translucency of the oil & wax mixture. This style of painting brings complexity and depth to the work with visual and physical textures that she finds reminiscent of the natural world. In this one-day hands-on class Kathy will demonstrate the tools, and various techniques including solvent reduction and glazing, while you work along throughout the day in stages using the same materials and tools. You’ll leave the day with your own painting and an understanding of why cold wax medium is popular with so many artists. Painters of all levels, from beginners to advanced welcome! Find more information and register online via EventBrite.
Curious about how to use cold wax medium with oil paint? Join us on Tues. Oct. 13th, 10AM – 4PM, with exhibiting artist Sandy Kay! If you missed our last workshop with Sandy Kay, here’s another chance to experience this amazing way to paint with minimum commitment and maximum fun. There is a limit of 12 participants, so register now to save your seat!
Sandy’s paintings are informed by her emotional response to the natural world of forest and sea. She strives to create a feeling rather than a picture, to evoke a deeper emotional response in the viewer. In this one-day hands-on class artist Sandy Kay will demonstrate using the tools, how to blend, mix and layer the paints using cold wax medium, and why it’s a most intriguing, joyful (and easy) way to paint! Sandy will demonstrate in stages while you try this method throughout the day using the same materials and tools. You will leave with your own original fall-themed painting and confidence creating your artwork. This workshop will introduce her latest techniques in tools, glazing, solvent reduction, lifework, and working in a limited palette, and is for painters of all levels, from beginners to advanced. Find more information and register online via EventBrite.
to Oct 25th. In fragments of memories, curiosities and dreams, Nadina Tandy’s new work “Monopoly” invites us to travel into new worlds. Worlds made of mythologies and maps, and specimens and memories, gathered joyfully together on paper and sculpture. Collage becomes storytelling – disorienting stories, humorous ones, strange collections – wunderkammer – a glimpse into wonder. An exhibition on display in Joe’s Lounge from September 18th – October 25th, 2026.
Vancouver-born Nadina Tandy (1962) has extensive experience in varied aspects of art and culture, since 1988. She earned a Fine Arts diploma from Langara College (Vancouver) and studied drawing and painting at Emily Carr University of Art + Design (Vancouver). She also completed photography certificate studies at Concordia University (Montreal). Tandy has a broad exhibition history and her works are part of private and public collections throughout North America and Europe. Her work has been featured in print and on television and radio and she has also produced artwork for several book covers. She has produced and hosted cable TV shows and various info spots for CBC Television. She lives and works on the Sunshine Coast of British Columbia.
Join us for the Opening Reception on Saturday, September 26th, 2pm – 4pm. All are welcome!
Up and down the pacific northwest coast there are stories shared of the great flood. They speak about the rising waters, the urgency to escape to higher ground and coming down to start over again after the water recedes. In my home community, Wuikinuxv, it is said the People who survived the flood climbed the mountain known as Kvauma (seat of the eagle) to escape the push of the ocean water. In making a lot of the work for this show I was thinking about the art we make and the work we do after loss…after a series of losses. What happens when catastrophe and heartbreak are normalized in our bones? Where do we place focus? Do we look at what has been taken, or to what remains and can be reclaimed?
Join us for a free Artist Talk on Saturday, October 3rd, 2pm – 3pm with Sandy Kay and Kathy McKnight. All are welcome!
Sharing a profound connection to the coastal forests, Sandy Kay and Kathy McKnight are abstract impressionist painters working primarily in oil and cold wax. Their complementary approaches unite in a celebration of the coastal woodland, blending their unique personal visions with a shared artistic language. Sandy Kay and Kathy McKnight are both Sunshine Coast artists working primarily in oil and cold wax. Together they weave a rich tapestry of perception, where the boundary between visual art, musical expression, and natural landscape dissolves into a singular, evocative experience.
to Oct 16th. Up and down the pacific northwest coast there are stories shared of the great flood. They speak about the rising waters, the urgency to escape to higher ground and coming down to start over again after the water recedes. In my home community, Wuikinuxv, it is said the People who survived the flood climbed the mountain known as Kvauma (seat of the eagle) to escape the push of the ocean water. In making a lot of the work for this show I was thinking about the art we make and the work we do after loss…after a series of losses. What happens when catastrophe and heartbreak are normalized in our bones? Where do we place focus? Do we look at what has been taken, or to what remains and can be reclaimed?
Join us for the opening receptions of our newest exhibitions, Woodland Rhythms by Sandy Kay & Kathy McKnight and Monopoly by Nadina Tandy, from 2pm – 4pm on Saturday September 26th. All are welcome!
In the Main and Eve Smart Galleries, Woodland Rhythms features oil and cold wax paintings that create a sensory echo of the woodlands where perception blurs and transforms. Kay and McKnight’s complementary approaches unite in a celebration of the coastal woodland, blending their unique personal visions with a shared artistic language.
In Joe’s Lounge, Nadina Tandy’s Monopoly invites us to travel into new worlds. Worlds made of mythologies and maps, and specimens and memories, gathered joyfully together on paper and sculpture. Collage becomes storytelling – disorienting stories, humorous ones, strange collections – wunderkammer – a glimpse into wonder.
September 24th to Oct 18th. Inviting the viewer to slow down and breathe deeply, feel the movement of light, and hear the lyricism and rhythmic flow of the paintings on display, Woodland Rhythms creates a sensory echo of the woodlands where perception blurs and transforms. Sharing a profound connection to the coastal forests, Sandy Kay and Kathy McKnight are abstract impressionist painters working primarily in oil and cold wax. Their complementary approaches unite in a celebration of the coastal woodland, blending their unique personal visions with a shared artistic language. Extending beyond the canvas this exhibition offers a variety of immersive events, from an opening reception featuring live music that will echo the paintings’ inherent musicality to workshops, artist talks, a concert series, and a sound bath. Find more information about these events online at www.gpag.ca.
Combining bold, simple shapes with organic textures, Figueira pushes the abstraction of the subject while maintaining a sense of scene that is both familiar and challenging to the viewer, conveying the joy and passion found in coastal landscapes. Mountains and rock formations that move across millenia, trees shaped by decades of growth, and the split second flicker of light on fast flowing water are expressed in his works. Playing with positive and negative space, Figueira explores the energy and movement in landscapes across miniscule and massive timescales.
Join us for an Artist Demo on Thursday, August 27th, 2pm – 4pm and for the Opening Reception on Saturday, August 29th, 2pm – 4pm. All are welcome!
to Sept 27th. In The Impossibility of Beauty, Mindy Hemstalk gathers driftwood, broken ceramic fragments, and unaltered natural materials from the traditional, unceded, and ancestral territories of the shíshálh Nation, assembling them into shrine‑like forms that honour the wild intelligence of the land. These works emerge from an intense personal journey of rupture and rebirth, shaped by the realization that the dominant cultural definitions of beauty rooted in colonial and patriarchal paradoxes are impossible by design; demanding women be sovereign yet caged, expressive yet silent, sensual yet contained.
An exhibition on display in Joe’s Lounge. Join us for the Opening Reception on Saturday, August 29th, 2pm – 4pm. All are welcome!
Join us for an Artist Demo with Solène Chatain on Sunday, September 20th, 2pm – 3pm. All are welcome!
Based in Powell River (qathet), Solène Chatain is a mainly self-taught ceramic sculptor focusing on handbuilding techniques including slab building and carving. Chatain has exhibited her work in several group exhibitions in Powell River (qathet) as well as on Vancouver Island. She has also taught ceramic sculpture workshops in Powell River (qathet) and in Esquimalt. Her current series, ‘Iron Age Frescoes’, explores the fusion of silica and iron, two materials essential to creation throughout human history.
Join us for an Artist Demo with Filipe Figueira on Thursday, August 27th, 2pm – 4pm. All are welcome!
Born in Portugal, raised in the UK, and now living on Cortes Island, Filipe Figueira is an abstract landscape painter whose practice is an ongoing search for a visual language that conveys the profound, physical experience of being within a landscape. Figueira is a self taught artist who began painting in 2022. He has exhibited his work on Cortes island and on Vancouver Island, as well as in group exhibitions with the Federation of Canadian Artists. Combining bold, simple shapes with organic textures, Figueira pushes the abstraction of the subject while maintaining a sense of scene that is both familiar and challenging to the viewer, conveying the joy and passion found in coastal landscapes.
Exploring what we make by hand, what we build through technology, and what we leave behind, Solène Chatain’s ceramic sculptures reflect on the complex relationships between human ingenuity, industry, technology, and the natural world. Handbuilt and carved ceramic forms are combined with discarded fragments of rusted machinery gathered from beaches, forests, and industrial sites, transforming remnants of human industry into objects of contemplation. Through these sculptures, Chatain explores the tension between holding on and letting go, between progress and consequence, between the handmade and the technological.
Join us for the Opening Reception on Sat. Aug. 29th, 2pm – 4pm; and for an Artist Demo on Sun. Sept. 20th, 2pm – 3pm. All are welcome!
Join us with exhibiting artist Janine Dunn on Saturday, August 8th, 2pm – 3pm. Free and all are welcome to attend!
Illustrating symbolic dimensions of celebration, abundance, and scarcity, Janine Dunn’s exhibition we mark the seasons in love features landscapes and human figures appearing in nebulous pastoral space, with a felt sense of emotion and relationship between the characters. Janine Dunn is an artist and farmer living in Gibsons, BC, who shares stories of daily life on her farm and brings forward topics resonating within the current moment through her artistic practice. She draws on personal impressions of motherhood, animal husbandry, degradation and repair, shared labour and hospitality, and isolation and solitude. Working with industrial, agricultural, and domestic materials, she collaborates with the weather and elements to develop her canvases. Dunn has exhibited her work in solo and group exhibitions on the Sunshine Coast and throughout Vancouver, and was commissioned to create The Landing Eye, a permanent public art installation in Gibsons Landing.
Join us for an Artist Talk with Lisa Blackwell on Saturday, August 15th, 2pm – 3pm. Free to attend and all are welcome!
Informed and inspired by the practice of observing the living world and the forces of nature, Lisa Blackwell’s exhibition Earthly Emergence features handbuilt sculptures created from clay. Lisa Blackwell grew up in Sechelt, on the unceded territory of the shíshálh Nation, and is now living on the unceded territory of the Lekwungen people in Saanich BC. Considering an Indigenous perspective is integral to her work, as an act of decolonization and reciprocity. She was taught handbuilding by Sto:lo ceramics artist and cultural caretaker, Laura Wee Láy Láq, and has been working in clay for the past thirty years. Blackwell attended Alberta University of the Arts and in 2023 earned a BFA, Majoring in Ceramics with Distinction, and also won the Board of Governors Award for top ceramics student. She has taught, sold, and exhibited her pottery in California, Alberta, and British Columbia. At the heart of everything she makes is her growing understanding of ecology in all of its complexity.
to Aug 18. Informed and inspired by the practice of observing the living world and the forces of nature, Lisa Blackwell’s exhibition Earthly Emergence features hand built sculptures created from clay. Blackwell views the biological imperative of growth and the mutual symbiotic relationships between flora, fauna, and fungi as sources of hopefulness and optimism; these primordial connections, represented by Blackwell’s biomorphic sculptures, have much to teach us about cooperation, altruism, and collaboration. An exhibition on display in the Main and Eve Smart Galleries July 23rd – August 18th.
Join us for the opening reception of this exhibition on Saturday, July 25th, 2pm – 4pm. All are welcome!
